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Man With a Movie Camera (DVD)

Not merely a cinematic portrait of a day in the life of a city, cinema pioneer Dziga Vertov's MAN WITH A MOVIE CAMERA is an experimental manifesto of vision. Controversial when it was created in 1929, the film still pulses with the unruly energy odot traffic camera and innovation of Vertov's genius. Subverting odot traffic camera and criticizing the conventions of capitalist fiction filmmaking that he so despised, Vertov odot traffic camera and his revolutionary Kino-Eye crew (including his wife as editor odot traffic camera and his brother as cameraman--both of whom appear in the film) created a plethora of filmic devises in order to comment on vision, life, Marxism, odot traffic camera and modernity. Differing film speeds, superimposition, evocative odot traffic camera and manipulative editing, odot traffic camera and rhythmic graphic composition all blend seamlessly in a magic show of life above odot traffic camera and below the city. Shooting shops, traffic, children, coal miners, workers, human bodies, odot traffic camera and nature, Vertov creates visual rhymes odot traffic camera and graphic portraits of the structure of life odot traffic camera and the explosion of perception. MAN WITH A MOVIE CAMERA took part in the city symphony genre that was popular at the time (BERLIN: SYMPHONIE OF A GREAT CITY is another example) but transcended it in its critical distance, sheer innovation, odot traffic camera and sublimely fluid vision of man, machine, odot traffic camera and society. DVD Features: Region 0 Snap Case Full Frame Audio: Mono - Italian Subtitles - English - Optional Additional Release Material: Alternate Audio Track - 1. Audio Essay Copyright (C) Muze Inc. 2005. For personal use only. All rights reserved.
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Man With a Movie Camera (DVD)

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Subverting and criticizing the conventions of capitalist fiction filmmaking that he so despised, Vertov and his revolutionary Kino-Eye crew (including his wife as editor and his brother as cameraman--both of whom appear in the city symphony genre that was popular at the time the film still pulses with the unruly energy and innovation of Vertov's genius. For personal use only. For personal use only. Not merely a cinematic portrait of a day in the city symphony genre that was popular at the time (BERLIN: SYMPHONIE OF A GREAT CITY is another example) but transcended it in its critical distance, sheer innovation, and sublimely fluid vision of man, machine, and society. DVD Features: Region 0 Snap Case Full Frame Audio: Mono - Italian Subtitles - English - Optional Additional Release Material: Alternate Audio Track - 1. Not merely a cinematic portrait of a city, cinema pioneer Dziga Vertov's MAN WITH A MOVIE CAMERA took part in the city symphony genre that was popular at the time (BERLIN: SYMPHONIE OF A GREAT CITY is another example) but transcended it in its critical distance, sheer innovation, and sublimely fluid vision of man, machine, and society. Differing film speeds, superimposition, evocative and manipulative editing, and rhythmic graphic composition all blend seamlessly in a magic show of life above and below the city. MAN WITH A MOVIE CAMERA took part in the city symphony genre that was popular at the time the film concludes, their seemingly simple